Description: {Description}Yoruba Brass Cast Bell Nigeria 3 inch With their practical and technical knowledge, African metalsmiths and casters create utilitarian objects and elaborate works of art. Archaeologists now estimate Africans have smelted ore, traded metal and cast or forged tools, weapons and objects for 5,000 years--long before European contact. After foreign trade routes were established, the arduous process of refining raw ores, which required large amounts of charcoal, was replaced by the less labor intensive pattern of buying iron rods and ingots of copper or brass that could be melted at the forge. At other times imported metal objects were melted down and recycled. Most four-sided bells are associated with the Benin kingdom, where they are placed on ancestral altars and were once worn by the king's soldiers. The curved opening, sharply tapered sides and stylized face suggest that this bell is instead from the neighboring Yoruba peoples. Bells used by the Yoruba peoples are connected with the Oshugbo society that honors community founders or were worn as emblems of rank. The bell pictured here is an example. Yours will be similar. Height (In)3.0 Width (In)2.5 Depth (In)2.5 146823 Yoruba Brass Cast Bell Nigeria 3 inch With their practical and technical knowledge, African metalsmiths and casters create utilitarian objects and elaborate works of art. Archaeologists now estimate Africans have smelted ore, traded metal and cast or forged tools, weapons and objects for 5,000 years--long before European contact. After foreign trade routes were established, the arduous process of refining raw ores, which required large amounts of charcoal, was replaced by the less labor intensive pattern of buying iron rods and ingots of copper or brass that could be melted at the forge. At other times imported metal objects were melted down and recycled. Most four-sided bells are associated with the Benin kingdom, where they are placed on ancestral altars and were once worn by the king's soldiers. The curved opening, sharply tapered sides and stylized face suggest that this bell is instead from the neighboring Yoruba peoples. Bells uséd by the Yoruba peoples are connected with the Oshugbo society that honors community founders or were worn as emblems of rank. The bell pictured here is an example. Yours will be similar. Height (In) 3.0 Width (In) 2.5 Depth (In) 2.5 146823 × × × × × × Buy now and save! Tell a friend Visit store Watch now Postage info Click the Postage tab above the listing description for more info Click the Postage tab above the listing description for more info! Additional delivery notes PICK UP OPTION Sorry, our items are NOT available for pick-up. PAYING VIA PAYPAL We accept PayPal on our all our items so you can shop with confidence. Simple choose the PayPal option when proceeding through the checkout. Additional Information No additional information at this time Ask seller a question You might also like Tutsi Basket Rwanda Pink 7.25 Inch Urhobo Shrine Wood Figure Nigeria Zulu Telephone Wire Basket South Africa Bead Bundle #2 Contact To contact our Customer Service Team, simply click the button here and our Customer Service team will be happy to assist. Ask seller a question © My Store Postage Click the Postage tab above the listing description for more info Payment Accepted Payment Methods PayPal Returns Returns are accepted Items must be returned within 30 days of the auction ending Buyer will pay for return shipping. eBay integration by
Price: 45 USD
Location: Denver, CO
End Time: 2024-12-28T15:20:56.000Z
Shipping Cost: 11.98 USD
Product Images
Item Specifics
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Return policy details:
Age Level: 20th Century
Brand: sku 146000
Country of Origin: Nigeria
Item Height: 3.0
Item Length: 2.5
Item Width: 2.5
Maker: Yoruba Artisan
Material: Wood
Origin: Nigeria
Original/Reproduction: Original
Style: None
Type: Carving, Figure, Statue, Sculpture
author: None