Mary Vaux Walcott : "Eustoma russelianum" (early 1930s)

Description: "Eustoma russelianum," by Mary Vaux Walcott (c. early 1930s) Available Formats • 9" x 12" (Image: 7.25" x 10.5") • 12" x 16" (Image: 9.63" x 14") • 16" x 20" (Image: 11.69" x 17") • 20" x 30" (Image: 16" x 23.25") • 24" x 36" (Image: 19" x 27.63") Archival Inkjet on Matte Finish Fine Art Paper About the Artwork Mary Morris Vaux received a set of watercolor paints at age eight and began experimenting with painting flowers. After her mother’s death when Mary was nineteen, she assumed the responsibility of looking after her two younger brothers and her father. The family spent summers in the Canadian Rockies, where Mary and her brothers studied mineralogy and recorded the flow of glaciers in drawings and photographs. After 1887, Mary returned to western Canada almost every summer with her brothers and became an active mountain climber, outdoorswoman, and photographer. One summer a botanist asked her to paint a rare blooming arnica; her success in recording the flower encouraged her to concentrate on botanical illustration. For many years Mary Vaux explored difficult terrain in the Canadian Rockies, looking for important flowering species to paint. In 1913 she met Charles Doolittle Walcott, then secretary of the Smithsonian Institution, when he was conducting geological research. They were married a year later. Beginning the following summer, the couple spent from three to four months each season in the Canadian Rockies, where Dr. Walcott continued his geological and paleontological studies. During these summers Mary Vaux Walcott painted hundreds of watercolor studies of native flowers. At the urging of botanists and wildflower enthusiasts, a selection of four hundred of her illustrations was published in 1925 by the Smithsonian Institution in a five-volume edition titled North American Wild Flowers. In 1935 she contributed the illustrations to the volume North American Pitcher Plants, also published by the Smithsonian. Credit Line: Text courtesy of the Smithsonian American Art Museum. Fine Art Quality The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them. Happiness Guarantee All of The Ibis's prints come with a 100% happiness guarantee. If you are disappointed in your purchase for any reason, you are welcome to return it for a full refund.

Price: 23.99 USD

Location: Endicott, New York

End Time: 2024-01-12T18:32:33.000Z

Shipping Cost: 0 USD