Karl Richter J.S.Bach Matthäus-Passion 3 SACD Hybrid TOWER RECORDS

Description: Description Karl Richter J.S.Bach Matthäus-Passion 3 SACD Hybrid TOWER RECORDS Product introduction Planned for 40 years after Richter died. Richter's "Matthew", about 20 years after the immortal 1958 edition, the final answer.In his last years, the world's first SA-CD version of the 1979 recording of the entire ARCHIV label!New and latest reproduction from the analog master tape of the home country. It's been about 20 years since the recurrence in the domestic edition The world's first SA-CD of the last St. Matthew Passion left by Karl Richter (1926.10.15-1981.2.15). While his first recording, the 1958 edition, was so famous, this 1979 edition, about two years before his death, was almost forgotten. Hiding behind the 1958 edition, which will be re-released many times, you can even hear people wanting to do something that wasn't there. On the other hand, when it was released, the period approach, including Harnoncourt, was becoming mainstream, and in that era, it had to be evaluated as a "past thing". The listeners at that time, who expected the performance to be a sublimation of the direction originally shown in the old edition according to the times, seemed to be rather degenerate. Certainly, it is undeniable that there was a suspicion at that time about what this interpretation was like with modern musical instruments. Richter recorded the video in 1971 after the 1958 edition, with a live in Japan in 1969. Perhaps it can be said that Richter, who was not completely satisfied with the result, continued to challenge Matthew for further heights (Mr. Yazawa described in the commentary as "the trajectory of the spirit"). But instead of being stoic, the music seems to have painstakingly transformed into a more harmonious world, a harmonious and harmonious performance. In the latter half of the performance, you can hear the performance sinking so much that its weight is absorbed. The true value of this 1979 edition, which was also received as an exhausted Richter image at that time, should be explored now. At that time Richter convened the best possible members. Hetzel and Nicole's names are credited to the mother Munich Bach Orchestra. In addition, Manfred Clement, a master of the oboe (former Bavarian State Opera, started playing in Munich Bach after 1959. From 1980, he was asked by Kubelik to become the chief of the Bavarian State Opera. Kempe Also recorded (EMI) by R. Strauss's oboe concerto under the direction of the artist (which is familiar to Japan)). In addition, the singer also has the best cast of the time by Richter, and it is a wonderful lineup such as Schreier's evangelist and F = Dieskau's Jesus. In any case, the fact that the performance left here is Richter's "final answer" remains the same. With this recording, we can relive what Richter wanted to embody, what he wanted to leave for the rest of the world, and his outlook on music. On this occasion, 40 years after his death, Richter's last Matthew, who died at the age of 54, revived with the best sound quality. Why not listen to it in more detail and at a better time to face it more rigorously?In this reprint, we went back to the original analog master tape in our home country and digitized high-quality sound. Not only this time, but because we used the top flat master, we have a very good presence. The texture and localization are surprisingly clear and clear, and the benefits of DSD are added to reproduce the unprecedented excellent sound quality. In producing this board, after physically maintaining and repairing the original analog master tape of the home country, digitization (PCM) with high quality (192/24) was performed, and Emile Berliner of Berlin. In the studio, a dedicated label engineer spent a lot of time mastering for this series in a meticulous process. In the SA-CD layer, you can enjoy high-definition master sound. The CD layer has also undergone the latest digitization and mastering, which sets it apart from the sound quality of conventional discs. This series uses the original jacket design, and the 60-page manual, which includes lyrics translations, also includes a new preface commentary by Takaki Yazawa.Work informationMaineConductor: Karl RichterOrchestra: Munich Bach OrchestraTenor: Peter SchreierBaritone: Dietrich Fischer-Dieskau OtherSoprano: Edith MathisAlto: Janet BakerChorus: Munich Bach ChoirComposer: Johann Sebastian Bach Contents Number of components | 3 sheets SongJohann Sebastian Bach: St. Matthew Passion BWV244Part 1 Part 1 (continued), Part 2 Part 2 (continued) PerformanceEdith Mathis (Soprano) [Aria / First Lady / Pilate's Wife]Janet Baker (Alto) [Aria / Second Lady],Peter Schreier (tenor) [Evangelist (Evangelist) / Aria]Dietrich Fischer-Dieskau (baritone) [Jesus],Matti Salminen (Bus) [Aria / Judas / Peter / Pilate / High Priest]Munich Bach ChoirRegensburg Cathedral Boys Choir (Chorus Conductor: Georg Ratzinger)Aurèle Nicolet / Wolfgang Hark (Flute I / II),Manfred Clement / Roberto Erisk (Oboe I / II, Oboe d'amore I / II),Edgar Shann / Andreas Schwin (Oboe da Caccia I / II)Gerhart Hetzel (violin),Jonesk Fink (Viola da Gamba) Basso continuo:Fritz Kiskarto (cello)Herbert Duft (contrabass)Karl Corbinga-(Bassoon),Elmar Schloter / Friedemann Winklehofer (Organ)Karl Richter (harpsichord)Munich Bach OrchestraKarl Richter (conductor) recording1979Hercules Hall, Munich MasterArchiv Shipping We will select and ship from Fedex, DHL, Japan Post.Additional shipping charges may be incurred if otherwise specified.Please be sure to contact us before ordering.We will aim to dispatch all orders within 5 days of confirmed payment. 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Price: 98 USD

Location: Ibaraki

End Time: 2024-12-04T19:11:59.000Z

Shipping Cost: 20 USD