Description: Three antique engravings published in London, 1845 by Brain & Payne in "Payne's Universum or Pictorial World", as follows: "Moses going to the Fair" - from the painting by Tony Johannot - see below. This is a scene from The Vicar of Wakefield "The Confession" "The Two Courtiers" - from the painting by Docene All images were engraved by A.H. Payne - see below Good condition with some minor spots to borders and one ragged edge where removed from the publication - see scans. Page size 8 x 10.5 inches These are genuine antique prints and not later reproductions. See more of these in Sellers Other Items which can be combined for mailing at no extra costTony JohannotFrom Wikipedia, the free encyclopediaIllustration (c. 1840) for La Nouvelle Héloïse (1761) by RousseauAntoine Johannot, known commonly as Tony Johannot (9 November 1803 – 4 August 1852), was a French engraver, illustrator and painter.Contents [hide] 1Biography2Gallery3Works4References5Bibliography6External linksBiography[edit]He was born in Offenbach am Main. His father, François Johannot (c. 1760–1838), owned a silk factory in Germany, where the family had fled after the revocation of the Edict of Nantes. He was a painter who was involved in the development of lithography in France. The two older brothers of Tony, Charles and Alfred, were engravers, and Alfred also worked as a painter and drawer. Tony learnt engraving from his brothers and helped Alfred produce illustrations of books by James Fenimore Cooper and Walter Scott. Tony came to prefer wood engraving, but resumed etching in 1845.His historical paintings were exhibited at the Paris Salon for the first time in 1831.He became an illustrator much prized for his elegance, his diversity, and the lively character of his drawings, which were converted to engravings either by himself or by such artists as Jacques Adrien Lavieille, Émile Montigneul, and Alfred Revel. He was praised by Théophile Gautier:Tony Johannot can be called, without fear of contradiction, the king of illustration. Only a few years ago, no novel, no poem could appear in print without an engraving in wood bearing his signature: such heroines of delicate frame, with the necks of swans, flowing hair, imperceptible foot, he has confided to the rice-paper! How many vagabonds in rags, knights armoured from head to foot, tarasques scaled and clawed, he has tossed upon the butter-coloured and canary-yellow covers of novels of the Middle Ages; all the poetry and all the literature, of both ancient and modern times, has passed through his hands: the Bible, Molière, Cervantes, Rousseau, Walter Scott, Lord Byron, Bernardin de Saint-Pierre, Goethe, Chateaubriand, Lamartine, Hugo: he has comprehended all. His drawings appear in all these admirable volumes, and not one seems out of place. By the sides of these sublime pages, of these harmonious verses, they are an ornament and no stain; whatever these diverse geniuses have dreamt, he has been able to recreate and pull bodily into his art.[1]Johannot died in Paris on 4 August 1852.Gallery[edit]Title page for poems by Alfred de Vigny Faust and Mephistopheles Portrait of Heinrich HeineWorks[edit]Magazines: Revue des Deux Mondes, L’Artiste, L'Illustration, Le Magasin Pittoresque.Histoire du Roi de Bohême et de ses sept châteaux by Charles Nodier (1830).Théatre complet of Eugène Scribe (1834) -- 2nd edition, chez Aimé André.The Complete Works of Lord Byron (1835).Œuvres illustrées of Molière (1835–1836).Don Quichotte by Cervantes (1836–1837).Paul et Virginie by Bernardin de Saint-Pierre (1838).Manon Lescaut by Abbé Prévost (1839).Les Français peints par eux-mêmes (1840–1842).L'Âne mort by Jules Janin (1842).Voyage où il vous plaira by Musset and Stahl, chez Hetzel (1843).La Comédie humaine by Balzac, edition Furne (1842–1846).La Bretagne ancienne et moderne by Pitre-Chevalier (1845).Faust by Goethe (1847).Raphaêl by Lamartine (1849–1850), Perrotin edition.Œuvres illustrées of George Sand (1852–1856).Jérôme Paturot à la recherche de la meilleure des républiques by Louis Reybaud, chez Michel Lévy frères (1849).Albert Henry PayneAlbert Henry Payne (* 14. December 1812 in London ; † 7. May 1902 in Leipzig ) was an English steel engraver , painter , illustrator and publisher .Table of Contents1life2works3References4External links5ReferencesLife [ Edit | Source Edit ]A. H. Payne English Kunstanstalt,pen and ink drawing of Adolf Eltzner(1860)The Paynesche Kunstanstalt 1900, mid-Main. Gothic HousePayne came at an early age to Germany. From 1839 he worked as a steel engraver, painter and illustrator in Leipzig. In 1845 he founded with E. T. Brain the publisher English Kunstanstalt he in 1846 took over alone. [1] It was one of the first companies in the printing industry, which in the Graphic Quarter settled from Leipzig.1861 bought the Payne four to five hectares of grounds are Great Cake garden and let it build the so-called Gothic House. The new house, later enlarged and renovated, now the seat of the English Kunstanstalt that his son continued later led as publisher was. The Payne-Verlag was only in 1952 deleted from the commercial register. The old house on the corner dive Straße / Center Street (now Rosa Luxembourg Street / Hans-Poeche Street) existed until the mid-1990s. It had to make way for a new building, which now extends from the Hans-Poeche Street by Listplatz.The publisher of the English Art Institute A. H. Payne devoted to the steel and Kupferstecherei , published illustrated family journals and calendars as well as music . The series Payne's small score edition in 1892 to the Eulenburg Musikverlag sold.Works [ Edit | Source Edit ]From a Payne submitted Vogelschau of Bremen and two steel engravings from Bremen and Bremerhaven , after drawings by the Hamburg painter and lithographer Johann Heinrich Sander emerged (1810-1865) and in 1841 by Theodor von Kobbe (1798-1845) in his book walks on the North and Baltic Sea [2] were recorded. Moreover he made around 1840 twenty engravings of Leipzig.Cityscape of Leipzig, a 20 stitchesLiterature [ Edit | Source Edit ]Payne, Albert Henry: Album of the most beautiful views from the Nahethal. Creuznach. Voigtlander, [1852] online edition dilibri Rheinland-Pfalz
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